The puzzle-box precision in the ordering of chapters-and the narrative medley, varying past and present tense, first and third and even second person-turned an ordinary generational portrait into a mosaic. The effect was to accentuate the melancholic gap between ambition and actuality. The chapters took the protagonists from their 40s-when they were already in decline after appearing on the culture’s radar as moguls, musicians, publicists, journalists influential in the recording industry-to their hopeful beginnings in high-school-band rehearsals and college-dorm musings. Racing back and forth in time (between the 1970s and the 2020s), the book found its center in the chastened view from middle age. Egan takes to stunning new heights her 'deeply intuitive forays into the darker aspects of our technology-driven, image-saturated culture' (Vogue).Check out more from this issue and find your next story to read. The Candy House is a bold, brilliant imagining of a world that is moments away. With an emphasis on gaming, portals, and alternate worlds, its structure also suggests the experience of moving among dimensions in a role-playing game. The parts are titled: Build, Break, Drop. If Goon Squad was organized like a concept album, The Candy House incorporates Electronic Dance Music's more disjunctive approach. Egan introduces these characters in an astonishing array of narrative styles-from omniscient to first person plural to a duet of voices, an epistolary chapter and a chapter of tweets. In the world of Egan's spectacular imagination, there are 'counters' who track and exploit desires and there are 'eluders,' those who understand the price of taking a bite of the Candy House. Intellectually dazzling, The Candy House is also extraordinarily moving, a testament to the tenacity and transcendence of human longing for real connection, love, family, privacy and redemption. In spellbinding interlocking narratives, Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades. Within a decade, Bix's new technology, 'Own Your Unconscious'-That allows you access to every memory you've ever had, and to share every memory in exchange for access to the memories of others-has seduced multitudes. 'The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is 'one of those tech demi-gods with whom we're all on a first name basis.' Bix is 40, with four kids, restless, desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or 'externalizing' memory. Full Bibliographic Record Publication information:

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